Volume 21 Number 80 Produced: Thu Nov 2 18:48:14 1995 Subjects Discussed In This Issue: Hachnasat Orchim in the US [Waldo Horowitz] Kids in Yishivot and Hosting Problems [Marsha Wasserman] Kriah for Shemini Atzeret [Steve White] Lashon Hara [Steve Gindi] Lashon HaRa' [Aharon Manne] Mazal Tov [Steve White] Origin of Hatikva melody [Mara Moshe] Talmudic Sources for Black Clothing [Edwin Frankel] Tunes (2) [David Charlap, Alana] Women's tefila group [Etan Diamond] Yeshivish "Rap" music [Aryeh Frimer] ---------------------------------------------------------------------- From: Waldo Horowitz <waldoh@...> Date: Wed, 1 Nov 1995 19:34:56 -0500 Subject: Hachnasat Orchim in the US Following up the interesting discussion of hosting yeshiva and seminary students in Israel, I'd like to know what people think about hachnasat orchim in the US(especially in the New York area). This would be primarily hosting singles and baalei tshuva for shabbat and yomtov. 1. Is it correct to say that the imposition is one of time and attention rather than cost? this being since shabbat is the time when families spend time together and catch up on much-needed rest. 2. Do hosts think that their guests are appreciative? Should they be offering to help out w/ the dishes after shabbat etc.? 3. Do people think that BTs and singles should spend shabbat among themselves more? ---------------------------------------------------------------------- From: <Wassermen@...> (Marsha Wasserman) Date: Thu, 2 Nov 1995 17:59:33 -0500 Subject: Re: Kids in Yishivot and Hosting Problems Re: kids in yishivot and hosting problems, I sent the original posting in this forum to the Rosh Yeshiva of my son's school and asked for his opinion on the subject. I also feel it is a big imposition for the Israelis and hard on the kids to call a cousin who is a perfect stranger for a Shabbat experience. Some of the time would be great, but every other weekend is hard. What has anyone else done in regard to this isssue? Marsha Wasserman ---------------------------------------------------------------------- From: <StevenJ81@...> (Steve White) Date: Thu, 2 Nov 1995 13:05:56 -0500 Subject: Re: Kriah for Shemini Atzeret In 21/79, Al Silberman writes: >The reason for the Kriah is given in many Seforim (Likutei Maharich and >others) as being due to it being the harvest season and consequently the >time for giving Ma'ser. (This does not explain the custom which starts >at Kol Ha'bchor on weekdays.) No, that's a little off. The reason you've given is the reason we start Aser T'aser on Shemini Atzeret even if it does not fall on Shabbat. This is a distinction from the practice on Aharon shel Pesah and Sheni shel Shavuot, where we start at Kol Ha'b'chor on weekdays, and only start at Aser T'aser on Shabbat because the parsha of Kol Ha'b'chor is not long enough. (I don't recall if it has 21 psukim; I think it actually does, but in any case it doesn't have enough legitimate places to start and stop aliyot for a Shabbat.) But actually, looking at the kriot in Israel, the "proper" kria for Shemini Atzeret is V'zot HaBracha, as noted in Mr. Silberman's posting. (Why that is, in distinction to some parsha about Shemini Atzeret, may be a whole separate discussion, if someone wants to take it up.) What is happening here is that: Although Shemini Atzeret is a "hag l'atzmo" (it's own holiday; see below), it's also in a sense the concluding holiday of the Sukkot season. There are many parallels to Shavuot, which is in certain respects the concluding holiday of the Pesah season, and of course the last days of Pesah are a concluding holiday, too. On the concluding days of festivals, we usually read the "proper" parsha the first day and Aser T'aser/Kol HaB'chor, a general holiday kria, on the second day. The twist is that on Shemini Atzeret, we reverse the order, and read the general holiday kria on the first day and the "proper" parsha on the second day. The why on that is not clear to me. But my theory is that because Shemini Atzeret in galut has aspects of still being Sukkot (see below), "pure" Shemini Atzeret observances (which really consist of the kria and _definitely_ eating inside) are delayed to the second day, Simhat Torah. (What about "Geshem," the prayer for rain, said the first day? I'm not sure how that fits yet, although the idea that one should say it immediately after completing Hoshanot comes to mind.) If anyone has a source for (or opposition to) this idea, please let me know. BTW, On "initial holidays" (Pesah, Sukkot, Rosh Hashana and Yom Kippur), we read the "proper" parsha on the first day. On Pesah and Sukkot, we read Emor, also a general holiday parsha, on the second day. It just so happens that Emor is also the "proper" parsha for Sukkot. On Rosh Hashana, there seems to be just one "proper" parsha, divided into two days, just as Rosh Hashana has one kedusha, divided into two days. On Yom Kippur, of course, there aren't two days. Now why Emor on the second day of "initial holidays," why "Kol HaB'chor/Aser T'aser" on "concluding holidays," and not vice versa, and why Shavuot is treated like a concluding day rather than an initial day, I haven't got a clue! Finally, related to this, I am trying to do some research on Shemini Atzeret in galut: in what ways is it really hag l'atzmo, in what ways is it really part of Sukkot, and so forth. Where I think it is going is that Shemini Atzeret is irresoluably a day of "split personality" in galut, where the Divine purpose of Shemini Atzeret (p'shat and kabbalistic) can never be completely fulfilled. But if sources prove that wrong, that's fine. I'll report back to the list when I'm done. In any case, if anyone can privately recommend good sources, I'd appreciate it. Steve White (born Shemini Atzeret, 5720) ---------------------------------------------------------------------- From: Steve Gindi <steve@...> Date: Wed, 1 Nov 1995 17:28:54 GMT Subject: Re: Lashon Hara >From: <CHIHAL@...> (Yeshaya Halevi) > Here's a 90s question: > Is it lashon hara to say something nasty about someone online who is >identified only by his or her screen name; i.e. there is no other >identification of that individual's real name? > <Chihal@...> [Yeshaya Halevi] Only on AOL are people so protected by their screen name. Most other places require you to give your name which is attached to every e-mail. Steve Gindi NetMedia (Home of Jerusalem One) Tech Support ------------------------------------- <Steve@...> "Information at the Speed of Thought" Phone: 972-2-795-860 Fax: 972-2-793-524 ---------------------------------------------------------------------- From: <manne@...> (Aharon Manne) Date: Wed, 1 Nov 95 14:58:07 PST Subject: Lashon HaRa' RE: mail-jewish Vol. 21 #73 Eli Turkel brought up two questions concerning Lashon HaRa': > Thus Tanach can say that someone sinned since we are > expected to learn from that statement for our personal lives. However > stating that someone told Jews in Europe not to leave before the > Holocaust would not improve our lives and only denigrate that > individual. I think the answer to the second sentence lies in the first: the Jewish approach to learning from our ancestors biographies demands that we see them as they were. In fact, perhaps the type of hagiography that attempts to gloss over the subject's faults defeats its own purpose: it is very difficult to emulate the example of someone who was faultless. You can also look at it the other way: if such a figure was capable of an error of judgement (Europe before the Holocaust is an excellent example here), how much the more so should I be aware of the limits of my understanding. > Nevertheless, I think it is clear that > investigative reporters have done much to keep politician at least a > little more honest. It would seem that according to halachah one > cannot be an investigative reporter even when is sure that the facts > are correct. I don't have my copy of "Shemirat HaLashon" with me, but I believe that the public interest is one of the basic exceptions to the prohibition of Lashon HaRa'. In a society based on halakha, the legal structure is well-defined. The question is how an observant interfaces with the institutions of a society of law other than halakha. (This also goes to the question of the obligation under halakha to pay taxes legislated by the State of Israel.) Clearly modern Western societies depend on freedom of the press to provide some sort of check against the powers of the State. ---------------------------------------------------------------------- From: <StevenJ81@...> (Steve White) Date: Wed, 1 Nov 1995 22:36:02 -0500 Subject: Mazal Tov I'd like to wish a mazal tov to one of the members of our cyberchevra, Shimon Schwartz, late of Long Island, Highland Park, NJ and Manhattan. He will be marrying Rebecca Willer, iy"H, this Sunday in Long Island. (I want to say Lawrence, but I can never keep those places east of the Hudson straight!) They will be settling down to domestic bliss in Forest Hills, Queens, NY. They should be zoche livnot bayit ne'eman b'Yisrael (merit building a faithful home in Israel). And may they get just a little red in the face when _their_ four-year-old son asks _their_ "just-dating" friends, "So, when are you getting married?" Steve White ---------------------------------------------------------------------- From: <msmara@...> (Mara Moshe) Date: Thu, 2 Nov 1995 12:22:05 +0200 Subject: Origin of Hatikva melody Regarding the origin of the Hatikva melody I had the opportunity to look this up in the Encyclopedia Judaica this summer. The article explained that the poem was set to the melody of a popular Polish folk tune called "The Ox and the Cart". I found this information while trying to answer the question posed to me at Camp Ramah: what was supposed to be the anthem of Israel before Hatikva was chosen? Respecfully submitted, Mara (msmara%pluto.mscc.huji.ac.il) ---------------------------------------------------------------------- From: <frankele@...> (Edwin Frankel) Date: Wed, 1 Nov 1995 23:42:17 -0100 Subject: Talmudic Sources for Black Clothing Don't blame the gemara for today's wearing of black clothing. As much as I admire the ability to cite talmudic passages to this end, I also remember a talmudic passage in which men are bidden to wear black and go to a community where they are unknown. Thge experience they sought was far from religious, and some might even identify as unethical. I don't want to pursue it further on this list. It is current vogue to wear black, and while it is not for me, I respect anyone who would want to make a commitment to such a lifestyle. Still, however, its historic roots are far later than the Talmud, and attempts to link it to mainstream Judaism seem a bit out of line. Ed Frankel ---------------------------------------------------------------------- From: <david@...> (David Charlap) Date: Thu, 2 Nov 95 10:09:56 EST Subject: Re: Tunes <CHIHAL@...> (Yeshaya Halevi) writes: > However, the rabbaim still threw a fit when one of us led the >rest in singing Adon Alom to the tune of "Scarborough Fair, by Simon & >Garfunkle -- despite the fact that both S&G are Jewish :) . This may be because Simon & Garfunkle didn't write that tune. "Scarborough Fair" is an old tune. It's (I believe) a piece of traditional British folk music. ---------------------------------------------------------------------- From: Alana <alanacat@...> Date: Thu, 2 Nov 1995 11:32:01 -0500 (EST) Subject: Re: Tunes > However, the rabbaim still threw a fit when one of us led the > rest in singing Adon Alom to the tune of "Scarborough Fair, by Simon & > Garfunkle -- despite the fact that both S&G are Jewish :) . > <Chihal@...> (Yeshaya Halevi) I hate to be totaly nitpicky (and also to bring this subject up again, because I know from past experience that I'll never hear the end of it) but: 1) Scarborough Fair is a traditional English folk song, and was NOT by Simon and/or Garfunkel. 2) Garfunkel is Jewish, SImon is not. My mom lived around the corner from them, knew the family (all musicians), and went to high school with both SImon and Garfunkel. OK. Nitpicking over. Now back to your regularly scheduled kvetching. :) Alana ---------------------------------------------------------------------- From: Etan Diamond <aa725@...> Date: Thu, 2 Nov 1995 08:02:01 -0500 (EST) Subject: Women's tefila group Without getting into the halakhic ramifications of this issue, could anyone tell me what your experiences have been with women's tefila groups? Specifically, how have you put them together? Do men come and daven behind a mehitsa? Are there certain parts of the davening left out (eg, kaddish, borchu, kedusha)? The question is relevant to my wife's cousin's bat mitzvah so any specific examples would be helpful. Again, please do not start debating the halakhic merits or problems with this. I know it is an entirely other issue for many people, but that is for another day. Thanks in advance. Etan Diamond Department of History Carnegie Mellon University <aa725@...> ---------------------------------------------------------------------- From: Aryeh Frimer <F66235%<BARILAN.bitnet@...> Date: Thu, 02 Nov 95 09:36 O Subject: Yeshivish "Rap" music Close Friends of mine who know I enjoy "The Shtibel Hoppers" bought me, as a birthday present, a tape called "Black Hattitude". The tape is essentially Rap music with a Bee-Gees musical flavor. The Philosophical line of the tape is explicitly Yeshivish, anti-left wing runned State of Israel, Pro-Kach attitude. But the lyrics and the style are not a put- on and reflect a basic identification with modernity, importance of affluence, Chutzpa, telling it like it is. Being explicitly Yeshivish they stress the importance of staying in Yeshivah, doing what the yeshivah crowd does including garb and shidduch dates; but implicitly it values "Jags", Eilat, cruising on 13th Avenue, and being cool. I find it all very upsetting, a confusion between "Ikar" and "Tafel". In many ways this tape is an example of the phenomenon described by Prof described by Prof. Hayyim Soloveitchik in his article of a year or so ago in Tradition, especially his discussion of syncopation in Modern Jewish music. I wonder whether anyone else has heard the tape and whether their impression was different. Perhaps, being a year away from 50 I've become an old "fuddie duddie". I feel there's more too it! I wouldn't have minded if it were a very creative satire (and creative it is). But I fear that there is an identification element which I find troublesome. ----------------------------------------------------------------------
End of Volume 21 Issue 80